The account has had a `locale` since the beginning and it only chose which grammar
quick add read a line with — so picking English changed nothing anybody could see,
and the field said so honestly: "Sprog i hurtig tilføjelse". It says "Sprog" now,
because it means it.
Every component goes through `t()`. Danish is the source: a key missing from
English falls through to Danish rather than to the key, because a Danish sentence
in an English screen can be read and `settings.notifications.title` cannot.
`tag()` is the single place `Intl` is asked. Before, `'da-DK'` was written into a
dozen components, and that is the half of a translation that gets left behind — an
English interface still saying "24. aug." is exactly the shape of a job half done.
There is a smoke test that switches to English and refuses to see a Danish month
name in the calendar's heading.
Colour and theme names are keys now. `colors.js` keeps its ids untouched — they
are what the database stores, and `internal/store` reads them out of that file —
but `name` is `'color.tomato'`, resolved where it is drawn.
The Inbox keeps its name. It is a project row the server creates at signup, not a
string in the interface, and it can be renamed like any other project.
Four copies of "3 hours ago" became one, in `web/src/lib/when.js`. They had
already drifted: one said "aldrig logget ind", another "aldrig", and two stopped
at days where the others carried on to a date.
Routes stay Danish. `/indstillinger`, `/projekt`, `/uddelegeret` are bookmarks and
they are in every smoke test; translating them buys nothing and costs both.
Co-Authored-By: Claude Opus 5 <noreply@anthropic.com>
`projects.color` has been in the schema since the first migration, has
defaulted to 'graphite' on every row ever written, and nothing has ever
read it. There was no palette, no name-to-colour mapping, and the dot in
the sidebar was hardcoded to a border grey. So this is not "add a picker";
it is implementing colour for the first time.
Names, not hex values. A hex in ten thousand rows is a decision nobody can
revisit; a name is resolved when the interface paints and can be retuned
for a new theme or a new display. It is also the difference between a
database that stores a fact and one that stores a rendering. The set is
closed and refused at the edge — an unknown name would be stored happily
and painted as the default, which looks like a colour that did not save.
One palette across all five themes, and this is the one place in app.css
that is not redefined per theme. Everything else there is text, a ground or
a border and has to be measured against what sits behind it. These are
small solid marks beside a label that already carries the meaning: what
they owe is to be told apart, and to be visible on both a near-black and a
white ground, which is why all ten sit in the mid-tone band. It also keeps
them out of the trap the themes are in — a colour added to four blocks and
forgotten in the fifth looks finished and falls back silently. There is no
fifth block to forget.
The list is written down three times: Go for validation, colors.js for the
picker, app.css for the tokens that paint. So a test reads the other two —
the same small-scanner approach openapi_test.go takes to the spec — and
fails if the server accepts a colour nothing can draw, or the picker offers
one the server refuses.
Groups get a colour of their own (migration 0006) and projects inside a
group are indented. The indent is to the group's *name*, not to its dot:
the eye follows the text, and lining the projects up under the dot leaves
them looking a step short of where the heading starts. The drop line is
indented with them, so a drop inside a group reads as landing in the group.
The group's dot is the control as well as the preview — you press the thing
you are about to change, as on the project page. That was not the first
design: a third text action, "Farve", sat beside Omdøb and Slet, and those
carry `opacity: 0` rather than `display: none`, so they take their width
whether or not you can see them. A group called "Arbejde" rendered as
"ARBEJD". Moving the control onto the dot gave the name its room back.
The smoke test measures the indent at the content edge rather than the
element's, because the indent is padding and the box does not move — which
is how the first version of that assertion passed 12 against 12.
Co-Authored-By: Claude Opus 5 <noreply@anthropic.com>
