`skipFile` afviste ethvert navn, der indeholdt "..", for at stoppe en zip i at
skrive uden for sin egen mappe. Det er den rigtige idé rettet mod det forkerte:
det beskriver ikke en sti, der klatrer ud af arkivet, men ethvert filnavn med to
prikker ved siden af hinanden. En ellipse i en overskrift er almindelig, og noten
"Så blev det endelig jul! Stay tuned... ☕️" blev derfor aldrig oprettet.
Lydløst, oven i købet: filen blev sprunget over, før den blev talt, så svaret
sagde det samme, som hvis den var kommet med. Én note ud af tolv hundrede, og den
blev kun fundet ved at tælle efter, hvor mange der kom ud i den anden ende — 1140
hvor der skulle stå 1141.
Nu læses ".." som et stiled, ikke som to tegn, og en Markdown-fil, filteret
afviser, tælles som sprunget over. En import, der taber noget, skal sige det.
Og move-ikonet i sidebjælken er væk. ⠿ sad i den to pixels brede rende til
venstre for teksten og lå oven i rækkens egen kant — idéen var rigtig, pladsen
var det ikke. Elementet bliver: det er dét, der ejer trækket, og gjorde man i
stedet hele rækken draggable, ville alt indeni også blive det, og en opgave
trukket hen på I dag holdt op med at lande. Nu er håndtaget usynligt og lidt
bredere, og hånden ved hover er hele forklaringen.
Co-Authored-By: Claude Opus 5 <noreply@anthropic.com>
Seks ting fundet ved at bruge appen, i den rækkefølge de gjorde ondt.
En liste inde i en blok blev læst som tekst. htmlToMarkdown havde én gren for
ul og ol og lod alt andet falde ned i inlineToMarkdown, som samler efterkommere
til én streng — så et blokcitat med en liste i kom tilbage som "> PunktPunkt 2",
og en note fra Apple Noter, der er fuld af citater, mistede hvert punktmærke ved
den første gemning. Ingen havde rørt de linjer. Nu læses en blok, der rummer
blokke, igennem frem for flad, og et citat sætter "> " foran det, der kommer
indefra.
Indlejrede lister fandtes ikke. Den flade `list`-variabel kunne kun beskrive ét
niveau, så et indrykket punkt blev lagt ved siden af sit ophav. Nu en stak, og
underlisten lægges inde i sit <li> — det er den forskel, der kan læses tilbage.
En liste, der begyndte ved ti, begyndte ved ét bagefter. `start` skrives nu med
og læses med, så en gemning uden ændringer ikke gør noten om.
Tallet blev klippet af. Mærket sættes uden for tekstkanten, og 16px rakte til et
punkttegn og ikke til "10." — resten hang ud over kanten, hvor .page beskærer.
Renden er nu 2.2em og deles af begge slags, så punkter og tal flugter.
# viste seks vilkårlige projekter ud af tyve og så færdig ud. Loftet er væk,
listen kan rulle, og det, der begynder med det tastede, står øverst.
Og to ting om, hvordan det ser ud. Noteruden har fået sin egen flade, fordi et
ark, der holder op et sted, skiller det, man skriver, fra det program, man
skriver det i — `--surface` frem for `#fff`, så de fem temaer hver får deres.
Noter stod for sig selv over en streg, hvilket sagde det rigtige og kostede
halvfjerds pixels; den står nu i rækken med de faste visninger og bærer et ark i
stedet for en prik, hvilket siger det samme gratis.
Prøven skriver de fem listeformer, gemmer gennem den rigtige editor og læser
filen bagefter.
Co-Authored-By: Claude Opus 5 <noreply@anthropic.com>
Rækken har nu titel i samme størrelse som en opgavetitel — en note og en opgave er
to ting af samme slags, og hver sin størrelse får den ene til at se mindre vigtig
ud. Under den står dato og begyndelse på samme linje, som Apple Noter gør det: to
linjer pr. note frem for tre, og datoen først, fordi det er den, man skanner efter.
Ligger noten i et projekt, står det nedenunder.
⌘K søgte kun i opgaver og projekter. Feltet ser ud til at kunne finde alt, så det
er svært at gætte, at halvdelen af programmet ikke var med. Og mens jeg var der:
"Projekt" og "Opgave" stod hårdkodet på dansk i paletten.
En note kan trækkes ind på et projekt i sidebjælken — samme mål som en opgave,
fordi det er samme gestus: læg denne her.
To fejl i søgefeltet, begge Safaris egen type="search":
Fokusringen tvang sin egen hjørneradius og tegnede en firkantet bue uden om en
rund kant — to streger, hvor der skulle være én. Den følger nu elementets form,
overalt i programmet. Og feltet skiftede udseende ved fokus: forstørrelsesglasset
forsvandt og pilleformen blev firkantet. Det tegnes nu af os.
Trækket og palettens noter er ikke fastholdt i en prøve. ⌘K, tastning og en
debounce oven på hinanden gjorde den upålidelig, og en flakkende prøve siger
mindre end ingen.
Co-Authored-By: Claude Opus 5 <noreply@anthropic.com>
I dag, Kommende, Venter og Indbakken kan trækkes i den rækkefølge, man vil have
dem. På kontoen frem for i browseren: sidebjælkens bredde er en kendsgerning om
skærmen, og svaret på en telefon er ikke svaret på en skærm — men hvilken
rækkefølge man vil have dem i, er en kendsgerning om personen.
En liste af nøgler frem for et tal pr. visning. Ukendte nøgler droppes og
manglende føjes til sidst, så en visning kan tilføjes eller fjernes uden at
strande nogens rækkefølge — hvilket allerede er sket én gang, da Færdige
forlod menuen.
To ting, prøverne fandt undervejs, og begge var mine:
Rækken som trækgreb gjorde alt indeni trækbart, og sidebjælken er allerede
modtager for opgaver — en opgave trukket til I dag holdt op med at lande, fordi
rækken havde taget gestussen. Et lille greb tager ingenting, før man griber det.
Og drop-håndteringen slugte begivenheden, før den tjekkede, om den overhovedet
var en menuflytning.
Migration 0019.
Co-Authored-By: Claude Opus 5 <noreply@anthropic.com>
Claude kan nu skrive og søge i noter gennem MCP. Det er også svaret på Apple
Noter: der findes ingen eksport, der er værd at bruge, men en model, der kører på
maskinen, kan læse Notes.app og skrive det, den finder, ind herigennem — én note
ad gangen, med teksten som Markdown. En flytning, ingen skal bygge en parser til.
Værktøjet melder tilbage, hvilke links noten fik. En note, hvis #tag var stavet
forkert, ser ellers præcis ud som en, hvor det ramte, og i en chat ser ingen den
række, der blev skrevet.
Noter står nu for sig selv med en streg over. De er ikke en femte måde at se de
samme opgaver på, hvilket er hvad alt ovenfor er — de er den anden halvdel af
programmet, og i den række læste de som endnu et filter.
Færdige er ude af menuen og ligger under Indstillinger → Data ved siden af
papirkurven. Argumentet for at have den fremme var, at man ikke ved, hvilken
visning man lukkede noget i — det er sandt, og det er også et sjældent ærinde ved
siden af fire punkter, der læses hver dag. Den er der stadig, med en beskrivelse
af hvad den er til.
Co-Authored-By: Claude Opus 5 <noreply@anthropic.com>
Tredje etape. En liste til venstre, noten til højre — ikke et gitter af kort: en
note læses langt oftere på sin første linje end i sin helhed, og en liste viser
tyve af dem, hvor et gitter viser seks.
Gemmes når man holder op med at skrive. En note er det ene sted i programmet, hvor
en times skrivning kan gå tabt på ét fejltryk, og en Gem-knap er en knap, der
findes for at blive glemt. Teksten holdes adskilt fra den note, den kom fra, så en
gemning, der lander sent, ikke kan overskrive det, der er skrevet siden.
Og udbetalingen: skriver man #GarageRisteriet i en note, står den på projektets
side. Ingen har filet den derhen — den dukker op, fordi nogen nævnte projektet
mens de skrev. Slået op på navnet og ikke på et id, for et #tag skrives i hånden,
og et menneske skriver navnet.
Markdown i et almindeligt tekstfelt indtil videre. Live preview, hvor mærkerne kun
vises i den linje markøren står i, er næste stykke og det dyre; det her er den
form, den skal sidde inde i, og alt andet er allerede sandt uden den.
Co-Authored-By: Claude Opus 5 <noreply@anthropic.com>
"Hvorfor står der 2 ud for et tomt projekt?" Fordi tallet var member_count — hvor
mange mennesker. Den samme grå kolonne betød tre ting: personer ved projekter,
projekter ved grupper, opgaver ved etiketter. I en opgaveapp læses et tal ved
siden af et projekt som opgaver, og det gjorde manden, der har skrevet appen.
Nu er det åbne opgaver, og det vises når der er noget tilbage frem for når
projektet er delt — som var den gamle betingelse, og grunden til at netop de tre
delte havde et tal. Hvem der ellers er med står på projektets egen side.
Tællingen hentes fra serveren igen, når opgaver flytter sig. Det ville være
hurtigere at lægge til og trække fra lokalt, og det ville være forkert inden for
en dag: en opgave flyttet mellem projekter, en lukket i en anden fane, en
gentagende der lukker og åbner sig selv.
Og sidebjælken kunne allerede foldes — der var bare kun en knap med et rektangel
med en streg i, og det er ikke et ord. Nu gør ⌘B det samme, knappen siger det, og
genvejssiden nævner det.
Co-Authored-By: Claude Opus 5 <noreply@anthropic.com>
De to ord "Omdøb" og "Slet" lå oven på gruppens navn, hver gang musen var i
nærheden. De er væk fra sidebjælken. Omdøbning starter nu ved dobbeltklik på
rækken — eller F2, hvis man har den i fokus og ikke vil bruge musen. Sletning er
flyttet til gruppens egen side, hvor projekterne, den ikke tager med sig, står på
skærmen ovenover knappen.
Dobbeltklik på et navn, der også er et link, er ikke gratis. Første forsøg lod
det første klik navigere, og så åbnede siden mens omdøbningsformularen kom frem —
farveprikkerne flyttede sig ud under markøren, hvilket testen fangede som "element
is not stable". Navigationen venter derfor to tiendedele på et muligt andet klik.
Det er under grænsen for et dobbeltklik og over grænsen for at mærke det.
Co-Authored-By: Claude Opus 5 <noreply@anthropic.com>
To fejl i samme række. "Omdøb" og "Slet" lå i flowet og optog deres bredde også
usynlige, så ARBEJDE blev tegnet som "ARBE"; de ligger nu over rækkens højre
ende og dukker op ved hover. Og chevronen sad før navnet og skubbede en gruppe
toogtyve pixels længere ind end de projekter, den indeholder — så en gruppe så
ud til at ligge under dem. Den deler nu plads med gruppens prik: prikken hviler,
chevronen tager over ved hover, og bliver stående mens gruppen er foldet.
De sidste otte pixels sad i a-reglen, som giver hvert link i sidebjælken sin
egen venstrepolstring oven i rækkens.
Prøven, der holdt øje med rækken, målte at alt lå side om side — hvilket var
netop den geometri, der skulle laves om. Den måler nu det, der blev bedt om:
at navnet kan læses helt, og at gruppens prik står præcis hvor et projekts gør.
Co-Authored-By: Claude Opus 5 <noreply@anthropic.com>
Two from use.
Section headings were small uppercase text over a hairline — a heading you have to
look for. A project with four sections is four groups, and the eye should be able
to count them without reading a word, so the heading gets a ground of its own and
the rows sit against the page. `--surface` rather than a tint of the accent: the
colour on that page belongs to the project, and a section is not a second thing to
colour. A step in lightness separates them in all five themes without anybody
measuring anything.
And the Inbox. The server names it at account creation, before anybody has seen a
settings page, so it is the one project name nobody chose — and an account made in
Danish went on saying "Indbakke" inside an English interface, which reads as a
string somebody forgot to translate. It was. `projectName()` translates it while it
still carries the name the server gave it; rename it and that is your name for it,
in every language, like any other project. The rename field keeps the raw name, or
editing a translated label would save the translation.
The screenshot set gains the list view, which is where sections read as bands
rather than as columns — and the shape most people actually work in.
Co-Authored-By: Claude Opus 5 <noreply@anthropic.com>
Reported from use: "I just closed a task by accident, and there is no undo and no
list of closed tasks." Both halves were true.
Completing is one click on a small circle beside a row you were only reading, and
it takes the row off the screen — so the mistake and the evidence of it leave
together. There was no name left to search for and nowhere to look: the project
page can show its own closed tasks, but only if you already know which project it
was in.
The toast covers the mistake you notice at once. It names the task, so you can see
which one you hit, and stands for twelve seconds rather than five — five is enough
to read "could not save" and not enough to notice, decide and reach the mouse. A
toast with an action also gets two targets: the message dismisses and the action
acts, which were one button before and would otherwise put "yes, put it back" and
"go away" in the same place.
`/faerdige` covers the one you notice tomorrow. A place rather than a toggle in
every view, because somebody hunting for a task they closed does not know which
view they closed it in. Newest first — a record of what is finished is read
backwards from now, not by a due date the task no longer has — and grouped by the
day, because "I dag" and "I går" is how anybody would describe it.
A recurring task is offered no undo. Completing it moves it to its next date rather
than closing it, so there is nothing to reverse, and an undo that quietly rolled
the date back would be a different act from the one it claims to be.
Co-Authored-By: Claude Opus 5 <noreply@anthropic.com>
The account has had a `locale` since the beginning and it only chose which grammar
quick add read a line with — so picking English changed nothing anybody could see,
and the field said so honestly: "Sprog i hurtig tilføjelse". It says "Sprog" now,
because it means it.
Every component goes through `t()`. Danish is the source: a key missing from
English falls through to Danish rather than to the key, because a Danish sentence
in an English screen can be read and `settings.notifications.title` cannot.
`tag()` is the single place `Intl` is asked. Before, `'da-DK'` was written into a
dozen components, and that is the half of a translation that gets left behind — an
English interface still saying "24. aug." is exactly the shape of a job half done.
There is a smoke test that switches to English and refuses to see a Danish month
name in the calendar's heading.
Colour and theme names are keys now. `colors.js` keeps its ids untouched — they
are what the database stores, and `internal/store` reads them out of that file —
but `name` is `'color.tomato'`, resolved where it is drawn.
The Inbox keeps its name. It is a project row the server creates at signup, not a
string in the interface, and it can be renamed like any other project.
Four copies of "3 hours ago" became one, in `web/src/lib/when.js`. They had
already drifted: one said "aldrig logget ind", another "aldrig", and two stopped
at days where the others carried on to a date.
Routes stay Danish. `/indstillinger`, `/projekt`, `/uddelegeret` are bookmarks and
they are in every smoke test; translating them buys nothing and costs both.
Co-Authored-By: Claude Opus 5 <noreply@anthropic.com>
The account has had a `locale` since the beginning, and it only chose which
grammar quick add parsed a line with — so setting it to English changed nothing
anybody could see. This is the other half of that field, started.
`t()` reads `i18n.locale`, which is `$state`, so every component that calls it
redraws when the language changes; that is what makes the setting take effect
without a reload, and why the module is `.svelte.js`. Danish is the source and the
fallback: a key missing from English falls through to Danish rather than to the
key, because a Danish sentence in an English screen can be read and
`settings.notifications.title` cannot. `tag()` is the single place `Intl` is
asked, so dates follow the language instead of being `da-DK` in a dozen files.
`internal/i18n` is a Go package that exists only to fail the build when the two
dictionaries drift — the same trick `colors_test.go` plays on the palette. It
checks the placeholders as well as the keys: a translation that spells `{n}` as
`{antal}` leaves `{antal}` on the screen, which is worse than an untranslated
sentence because it looks like a bug in the app rather than a gap in a dictionary.
Converted so far: the shell. Sidebar, layout, quick add, task row, command
palette — fifty-two keys, and the surfaces people look at constantly. Twenty
files remain, the settings pages being the heavy ones.
The language picker is deliberately not wired up yet. It still says "Sprog i
hurtig tilføjelse" and still only changes the parser. Wiring it before the sweep
is done would hand anybody who picks English a bilingual screen — the
half-finished-theme failure `app.css` already taught us. As it stands Danish is
unchanged and English is not offered, which is the honest state for something
half done.
Co-Authored-By: Claude Opus 5 <noreply@anthropic.com>
It was a heading over some rows: a name, a colour, and whether it was folded.
Enough to tidy a list, and not enough to be what people mean by it — "Arbejde" is
a body of work with context of its own, and documents that belong to all of it
rather than to any one project inside it.
`/gruppe/{id}` carries three things a heading cannot. The projects in it, each
with what is still open — open tasks, not all of them, because "12" beside a
project somebody finished last year is a number that means nothing. A description,
written in place and saved on blur, the same shape a task's description has. And
the files that govern the whole group: the contract, the drawing, the agreement
everything else rests on.
The name in the sidebar is a link to it and the chevron beside it still folds.
Two intentions, two targets — the single one they used to share could only ever
serve the smaller.
Migration 0012 rebuilds `attachments`, because its CHECK spelled out exactly which
parent columns may be set and SQLite cannot alter a CHECK. The rule is still
"exactly one parent", counted rather than written out as pairwise comparisons:
with three columns that is three clauses, with four it is six, and the version
that is wrong looks exactly like the one that is right.
A group's file is reachable by its owner and nobody else. A group belongs to one
person and is never shared, so `reachAttachment` asks about ownership rather than
a project role — both old callers resolved straight to a task, so a group's
attachment answered 404 for the person who uploaded it.
Three tests also stopped racing their own navigation. Creating a project navigates
and `goto` is a promise nobody was holding, so a quick add fired straight after
could land in the Inbox instead — intermittent, and it read as the quick add
having failed.
Co-Authored-By: Claude Opus 5 <noreply@anthropic.com>
Three things reported from use, all in the sidebar.
Projekter, Delt med mig, Filtre and Etiketter fold, the way a project group
already does. Kept on the account rather than in localStorage, and for the same
reason the group's own `collapsed` is: folding a heading says "this is the part
of my work I am not in right now", and that is as true on the laptop as on the
desktop. The sidebar's *width* is the opposite case and stays per browser. A JSON
array of keys rather than a column each, so a renamed heading is not a migration.
The group heading is no longer indented — only what is filed under it. The colour
dot sat as a sibling before the fold button and pushed the whole row in, and a
heading that starts further in than the rows above it says the heading is inside
something.
And the colour is chosen while renaming. The dot was itself the button, which
gave the heading four controls on a line narrow enough to crowd the name; both
are edits to the same thing, so they belong in the same moment. The form closes
on `focusout` and only when focus has left it entirely, and the swatches refuse
focus on mousedown — Safari and Firefox do not focus a button on click, so
`relatedTarget` would be null and the form would shut under the pointer.
Co-Authored-By: Claude Opus 5 <noreply@anthropic.com>
The task drawer was `width: 100vw`. A viewport unit includes the scrollbar
gutter and a percentage does not, so the drawer came out a few pixels wider
than the page it was pinned to and the whole document could be shoved
sideways. It is `100%` now, and at phone width it is stated as four insets
instead — a box defined by the viewport's own edges cannot be a rounding
error wider than it.
The scrolling body gets `min-width: 0` and `overflow-x: hidden` too, so a
pasted URL or a long unbroken word in a comment cannot stretch the flex
column and take the page with it.
Writing the test for that found another one: creating a project from the
sidebar navigated to it and left the drawer covering the screen. Every link
in there closes it on the way out; the form did not, because it calls
`goto` directly. Now it does the same thing for the same reason.
The phone test checks the document cannot be scrolled horizontally, both
with the drawer shut and with it open.
Co-Authored-By: Claude Opus 5 <noreply@anthropic.com>
"Do it today" is the most-made rescheduling there is, and the sidebar is
where the pointer already is when you have picked a task up.
Only that one of the two date views. "Kommende" is a range rather than a
day — it starts today and runs a week — so a drop on it would have to
invent a date its own label does not name. The month grid inside it takes a
drop per cell, which is where a specific day is actually on offer.
Co-Authored-By: Claude Opus 5 <noreply@anthropic.com>
`projects.color` has been in the schema since the first migration, has
defaulted to 'graphite' on every row ever written, and nothing has ever
read it. There was no palette, no name-to-colour mapping, and the dot in
the sidebar was hardcoded to a border grey. So this is not "add a picker";
it is implementing colour for the first time.
Names, not hex values. A hex in ten thousand rows is a decision nobody can
revisit; a name is resolved when the interface paints and can be retuned
for a new theme or a new display. It is also the difference between a
database that stores a fact and one that stores a rendering. The set is
closed and refused at the edge — an unknown name would be stored happily
and painted as the default, which looks like a colour that did not save.
One palette across all five themes, and this is the one place in app.css
that is not redefined per theme. Everything else there is text, a ground or
a border and has to be measured against what sits behind it. These are
small solid marks beside a label that already carries the meaning: what
they owe is to be told apart, and to be visible on both a near-black and a
white ground, which is why all ten sit in the mid-tone band. It also keeps
them out of the trap the themes are in — a colour added to four blocks and
forgotten in the fifth looks finished and falls back silently. There is no
fifth block to forget.
The list is written down three times: Go for validation, colors.js for the
picker, app.css for the tokens that paint. So a test reads the other two —
the same small-scanner approach openapi_test.go takes to the spec — and
fails if the server accepts a colour nothing can draw, or the picker offers
one the server refuses.
Groups get a colour of their own (migration 0006) and projects inside a
group are indented. The indent is to the group's *name*, not to its dot:
the eye follows the text, and lining the projects up under the dot leaves
them looking a step short of where the heading starts. The drop line is
indented with them, so a drop inside a group reads as landing in the group.
The group's dot is the control as well as the preview — you press the thing
you are about to change, as on the project page. That was not the first
design: a third text action, "Farve", sat beside Omdøb and Slet, and those
carry `opacity: 0` rather than `display: none`, so they take their width
whether or not you can see them. A group called "Arbejde" rendered as
"ARBEJD". Moving the control onto the dot gave the name its room back.
The smoke test measures the indent at the content edge rather than the
element's, because the indent is padding and the box does not move — which
is how the first version of that assertion passed 12 against 12.
Co-Authored-By: Claude Opus 5 <noreply@anthropic.com>
The "+" beside "Projekter" is a 20px square icon button, and the rule that
makes it one was written as `.group-head > button`. A group's heading is
also a `.group-head`, and it has two buttons in it that are words rather
than icons — so Omdøb and Slet were each squeezed into a 20px box, where
they overflowed and were drawn on top of each other.
They still worked. Every assertion in the smoke test clicks by accessible
name, which is unaffected by a button being the wrong size, so the whole
suite passed on a heading that read "0 Om…Slet". It took a screenshot from
somebody actually using it.
The selector now asks for the class instead of for "a button in a
heading", so the next text button added there is safe by default rather
than by remembering.
And the smoke test measures the row: each button must start at or after
the previous one's right edge. A layout assertion is unusual here on
purpose — the rest of the file deliberately tests behaviour — but this is
a failure mode behaviour cannot see.
Co-Authored-By: Claude Opus 5 <noreply@anthropic.com>
`assignee_id` has been on tasks since sharing was built and delegating has
been possible from the drawer since yesterday. What was missing was
anywhere to see it: work handed to somebody else left your lists and
appeared in nothing.
GET /delegated returns everything assigned to somebody who is not you, in
the projects you can see, grouped by the person. Grouped on the server
rather than flat, because the question is about people — "what is Anders
sitting on" — and a client cannot group it itself: it would need the name
behind an assignee id from a project it does not happen to have open, and
there is no way to ask for that. The names come back with the tasks, so
one request is one screen.
The filter is a field of its own rather than a sentinel in AssigneeID.
"What is on my plate" and "what have I handed over" are different
questions, and one string that means an id most of the time and a magic
word the rest is a field somebody eventually passes a real id to.
An assignee whose account is gone is named "Ukendt" rather than dropped.
Losing the row would make work disappear from the one view that exists to
stop work disappearing.
The sidebar entry only appears where delegating is possible at all. On an
instance with one person it could never have anything in it, and a
permanent empty entry is a question the sidebar keeps asking and answering
"no".
Building it turned up a bug in the split above it. "Projekter" and "Delt
med mig" were divided on `shared`, which only means the project has more
than one member — so inviting somebody to a project of your own moved it
under "Delt med mig", where it lost its place in the order, stopped being
draggable, and could not be filed under a group. It is divided on
ownership now, which is what the two headings have always said. Sharing
your own project is not the same event as somebody sharing theirs with
you.
The smoke test now follows the whole loop in one go: invite, accept in a
second browser, assign a task to the person who just joined, and find it
under their name — with the shared project still under "Projekter" on the
way past.
Co-Authored-By: Claude Opus 5 <noreply@anthropic.com>
The three the handoff named as next. They are one commit because they are
one mechanism: all three end in something being dragged, and a drop target
cannot tell what is coming without the module they now share.
Groups are foldable headings over the projects in the sidebar. A table
rather than a `group_name` column on the project, because a group has to
be renamable in one write, has to survive being emptied, and has to
remember whether it is folded — none of which a string repeated on every
project row can do.
Folded state lives on the row, not in localStorage. The sidebar's *width*
is a property of the screen you are sitting at, which is why that one is
per browser; a folded group is a statement about the group — "this is the
part of my work I am not in right now" — and it is true on the laptop and
on the desktop. There is nobody else's answer to disagree with either: a
group belongs to exactly one person.
A shared project cannot be filed. `group_id` is a column on the project
row, so a member grouping somebody else's project would move it in the
owner's sidebar too — the same reason `sort_order` is owner-scoped. The
listing reports the column only to the owner, so a viewer is never told
where somebody else keeps it.
Deleting a group takes the heading and leaves the projects, and the
sidebar decides where a project renders by whether its group still
exists rather than by the id alone. A group deleted in another tab
arrives as one event and not one per project, so for a moment the
projects still name a heading that is no longer drawn — filing by the raw
id would drop them out of the sidebar entirely.
Kommende gains the month grid the project pages already had, behind a
Liste/Kalender toggle. The two views ask for different things — seven days
from today against six whole weeks around an arbitrary month — so each
loads its own, and the grid reports which dates it is showing rather than
having the page guess. Which view is remembered in localStorage: a month
of seven columns needs room, and the answer on a phone is not the answer
on a wide monitor.
And a task can now be dropped on a project in the sidebar, on a day in
Kommende, or on a cell in any month grid. Onto a project it is a *move*,
not a field: `sort_order` belongs to the project, so it has to find a
place among that project's tasks and leave its old section behind.
Each drag now carries its own MIME type. `getData` is deliberately
unreadable while a drag is in the air — the browser hands the payload over
on drop and not before, so a page cannot read what is being dragged across
it — and `dataTransfer.types` is all a target has to decide with. Deciding
is the point: calling preventDefault on a drag you cannot accept is what
turns "no" into a silent, wrong drop. The sidebar takes a project and a
task on the same row and has to tell them apart.
Two things fell out of building it. The month grid has always had one cell
narrower than the other six: `.today` styled the "I dag" button in the
header, and the day cell for today wears the same class, so `margin-left:
auto` was shrinking a grid item to its content. It is scoped to the header
now. And a project page listed whatever was in the store rather than what
belonged to that project, which did not matter until a task could leave a
project while you were looking at it.
Covered by eight new API tests and two new smoke tests, and the smoke tests
drive the drags for real — the type check they exercise exists only while
a drag is in flight, so nothing else can reach it.
Co-Authored-By: Claude Opus 5 <noreply@anthropic.com>
The socket carried task events and nothing else, so a project or a label
created anywhere — another tab, another device, Claude through the
connector — did not appear until a reload. Tasks updated live and the
sidebar did not, which reads as the sidebar being broken rather than as a
gap in what is published.
Projects and labels go to the *user* rather than to a project. A project
that has just been created has no subscribers, because nobody was
watching a thing that did not exist a moment ago.
Labels are announced as "something changed" and re-read, rather than sent
as a payload. The sidebar wants each label's task count, which no single
event carries and which moves whenever a task gains or loses a label —
including through quick add, where "@regnskab" invents the label inside a
task write and no label event is sent at all. Comparing the label lists
on a task change is what catches that, without re-reading on every ticked
checkbox.
And projects now go through an upsert, because the same row arrives twice
— once as the response to the request that created it, once over the
socket. Appending both puts two ids into a keyed {#each}, which throws
and stops the sidebar rendering. The tasks already had that guard; adding
the project event without it reintroduced the identical bug, and the
smoke test caught it on the first run.
Co-Authored-By: Claude Opus 5 <noreply@anthropic.com>
The sidebar was 268px and always there. On a wide monitor that wastes the
room; on a laptop it takes room the list needs.
The width drags from a handle on the border — 7px of target over a 1px
line, because a 1px target is a target you miss — and the whole column
folds away from a button in the topbar. Both are remembered.
In localStorage rather than on the account: this is a property of the
screen you are sitting at, not of you. The same person on a laptop and a
wide monitor wants different answers, and syncing it would make one of
them wrong every time they switch.
The handle is also a slider for the keyboard. Arrow keys move it, Home
puts it back, and so does a double-click — a drag handle with no keyboard
equivalent is a setting some people simply cannot reach.
Folding is desktop-only, and the media query says so rather than leaving
it to chance: below the breakpoint the sidebar is a drawer that opens over
the page, and a collapsed drawer would open to nothing. Clamped to
200–480px in the store, so a stored value from an older build cannot make
it unusable either.
Co-Authored-By: Claude Opus 5 <noreply@anthropic.com>
Projects have carried sort_order since the first migration and nothing
ever set it, so the sidebar was ordered by creation date for good.
POST /projects/reorder takes the whole list rather than one move. A
person has a handful of projects, so sending the order you want is
simpler to reason about than midpoints between neighbours — and it cannot
run out of precision, which is the failure the task ordering has to
respace a section to recover from. It also cannot land half-applied the
way a sequence of individual moves can.
Projects you do not own are skipped rather than refused. sort_order is a
column on the project, not a preference per viewer, so a shared project
sits where its owner put it and a member rearranging their own sidebar
does not rearrange somebody else's. The sidebar only makes your own
projects draggable, so that rule never shows up as a row that springs
back.
Co-Authored-By: Claude Opus 5 <noreply@anthropic.com>
There was no /indstillinger route at all. The Gmail OAuth callback
redirects there and had been answering 404 since it was written.
Six pages rather than one long scroll, because the sections have nothing
to do with each other and somebody opening API tokens should not have to
walk past their own password to get there: the account and its second
factor, notifications, integrations, AI, tokens, and data. Everything
listed as having no interface in the handoff is reachable from one of
them — the calendar feed, the mail-to-task address, Gmail, the AI
provider, import, export, templates and the update notice.
Two decisions worth naming. The AI key field starts empty and says why:
a settings page that repopulates a password field is one that will
eventually leak a key into a screenshot, and an empty value means "leave
the stored one alone" rather than "clear it". And the form chrome lives
in the layout as :global rules, because scoped styles do not reach a
child route and six copies of the same twelve selectors is six places for
them to drift.
Co-Authored-By: Claude Opus 5 <noreply@anthropic.com>
The board is one column per section with native drag-and-drop, which
works with a trackpad, a mouse and a screen reader without any of them
being reimplemented. Dropping is optimistic: a card that snaps back for
200ms reads as a failed drop.
Weeks in the calendar start on Monday. That is ISO 8601 and what every
Danish calendar does; a Sunday-first grid makes a Dane misread the month
at a glance. On a phone the chips give way to coloured bars — at that
width the month's shape is the useful part, not the titles.
Label pages run the filter language rather than a bespoke endpoint, so a
label page and a saved filter can never disagree about what a label
selects.
fix(recurrence): "hver mandag", not "hver uge mandag"
A weekly rule that names its days does not also need the word for the
interval. That is how the phrase is said, and it is what the parser
accepts back — the round trip through Describe now holds for weekday
rules too.
Co-Authored-By: Claude Opus 5 <noreply@anthropic.com>
The interface for phase 1: sign-in and first-run setup, Today, Upcoming,
project views, sharing, Cmd+K search and the keyboard shortcuts.
Quick add highlights what the parser understood underneath the text as
you type — a mirrored layer behind a transparent input, sliced by byte
offset because the server counts bytes and JavaScript counts UTF-16
units, which disagree on exactly the Danish letters this app is full of.
Every local action is optimistic and reconciled afterwards: ticking a
task off strikes it through and animates it out before the request
leaves, and rolls back with a message if the server disagrees.
The Content-Security-Policy is computed at startup by hashing the inline
scripts in the built index.html. Both of them change on every frontend
build, so a hard-coded hash would go stale silently and show up only as
a blank page in production. The alternative, 'unsafe-inline', would drop
the one protection that makes an injected script in a task title inert.
Today is derived from the store by date rather than from the ids that
came back with the first request — filtering against a captured list
meant a task added through quick add never appeared until a reload.
Co-Authored-By: Claude Opus 5 <noreply@anthropic.com>
